Dichotomies and contradictory visual relationships drive my work, specifically the pursuit of perfection and that which cannot be perfect because it is human made. Order is ever present—compositions and the physical arrangement of panels are determined by grid-based systems—and pushes against the flaws inherent in various media and processes.
Additionally, an interest in reductivism manifests itself in work that addresses monochromatism and fragmentation.
Additionally, an interest in reductivism manifests itself in work that addresses monochromatism and fragmentation.